Sharon Howard, ‘Imagining the Pain and Peril of Seventeenth Century Childbirth: Travail and Deliverance in the Making of an Early Modern World’, Social History of Medicine, 16:3 (2003), pp. 367-382, is one of those articles that appeared some years ago, but which I have only just come across. (The link, by the way, is to an open-access final proof of the article; to see it in published form log into Oxford Journals.) Hannah Newton, ‘”Very Sore Nights and Days”: The Child’s Experience of Illness in Early Modern England, c. 1580–1720’, Medical History, (2011), pp 153-182, picks up on a point made by Howard, saying, ‘According to Sharon Howard, seventeenth-century lay-people probably learned of torture not from the judicial system, but from the literature of Christian martyrdom’ (Newton, p. 163, referring to Howard, pp. 374-5 [p. 11 of the proof]).
Howard cites Alice Thornton’s account of childbirth:
Make this fire of affliction instrumentall to purge the drosse of all my sinns of negligencys, ignorances, and willfull transgressions, that I may come out like gold out of the furnish.The Autobiography of Mrs Alice Thornton of East Newton, Co.York, ed. by C. Jackson (Surtees Society, Edinburgh, 1875), p. 90.
…twelve-year-old Charles Bridgman in 1632 … when considering his pains … ‘called to mind that Martyr Thomas Bilney’, who had burned his own finger in a candle to give himself a taste of what it would be like to burn at the stake.64 Girls as well as boys mentioned martyrs in this way. Fourteen-year-old Mary Glover compared herself to her grandfather, who died a martyr, by repeating his dying words, ‘The comforter is come. O Lord, you have delivered me’. (P. 163)
What I want to try and find out more about is the response, particularly of women, to the depictions of suffering in works such as Foxe’s Book of Martyrs, not when they were ill or experiencing the pangs of childbirth, but when they were in a state of health. I’m interested in evidence of women identifying transgressively or subversively with such texts (and, of course, with the images contained in those texts) and gaining a perverse satisfaction from the depictions of suffering.
Certainly, Mary Wroth describes scenes of both male and female suffering with tremendous relish (a subject I touch on both in my monograph and in one of my blog entries). Rather than seeing her as colluding in the gratification of the male gaze, her frank enjoyment of scenes of suffering (not a few of which – Polarchos at the hands of the Princess of Rhodes, Selarinus humiliated before the Queen of Epirus – involve male victims of female tormentresses) suggests to me a lively female eroticism. Wroth’s vivid description of a jousting tournament – ‘the cruellest, and yet delightfullest Combate, (if in cruelty there can be delight) that Martiall men euer performed’ (The Countesse of Mountgomeries Urania, London, 1621, p. 62) – is a clear account of the erotics of the female gaze, and I am interested in exploring that gaze and its role in seventeenth-century sexual politics. All leads and suggestions welcome!